Science Fair Project Encyclopedia
Josephine Baker (June 3, 1906 - April 12, 1975), born Freda Josephine McDonald, was an African American dancer, actress and singer, sometimes known as "The Black Venus." She became a French citizen in 1937.
Born in St. Louis, Missouri, the daughter of Eddie Carson and Carrie McDonald, she entered vaudeville as a teen, gradually heading toward New York City during the Harlem Renaissance, performing at the Plantation Club .
On October 2, 1925, she opened in Paris at the Théâtre Champs-Elysées, where she became an instant success for her erotic dancing and appearing practically naked on stage. After a successful tour of Europe, she returned to France, where she starred at the Folies Bergère, setting the standard for her future acts. Already a star, she performed in a skirt made only of bananas, often accompanied by her pet leopard, Chiquita, who was adorned with a diamond collar. The leopard frequently escaped into the orchestra pit, where it terrorized the musicians, adding yet another element of excitement to the show.
In a short while she was the most successful American entertainer working in France—whereas in the U.S., she would have suffered from the racial prejudices common to the era. The writer Ernest Hemingway called her "the most sensational woman anyone ever saw." In addition to being a musical star, Baker also starred in several successful films, among them Zouzou (1934) and Princesse Tamtam (1935).
Upon marrying her manager Giuseppe Pepito Abatino—a Sicilian stonemason who passed himself off successfully as a Sicilian count—Baker transformed her stage and public persona into a sophisticated cultural figure. (The marriage was reportedly a publicity stunt and not legally binding). At this time she also scored her greatest song hit "J'ai deux amours" (1931) and became a muse for contemporary painters and sculptors.
She was so well-known and popular that even the Nazis, who occupied France during World War II were hesitant to touch her. In turn, this allowed Baker to show her loyalty to her adopted country by participating in the Underground. In one apocryphal story, Hermann Göring himself invited her to dinner one evening, already suspecting her of involvement in the Resistance. Realizing that the wine he forced her to drink was poisoned, she managed to excuse herself and escaped from the chalet through a laundry chute. After the war, Baker was awarded the Croix de Guerre for her underground activity.
Yet despite her popularity in France, she was never really able to obtain the same reputation at home. Upon a visit to the United States in 1936, she starred in a failed show with the Ziegfeld Follies; her personal life similarly suffered, and she went through six marriages, some legal, some not.Las Vegas. Nevertheless, her career was on a downturn and she was near bankruptcy until she was bailed out and given an apartment by her close friend, Princess Grace of Monaco, another expatriate American entertainer living in Europe.
On April 8, 1975, her fortunes seemed to be turning to the better when she was the star of a retrospective show in Paris, Joséphine, celebrating her fifty years in the theater. The show opened to rave reviews, but Baker never benefited from it. She died of a cerebral hemorrhage less than a week later, and the show was cancelled.
Josephine Baker went through six marriages: foundry worker Willie Wells (1919, divorced), Pullman porter William Howard Baker (1921, divorced), Giuseppe Pepito Abatino (1926, publicity stunt, not legally binding), French sugar magnate Jean Lion (1937-1940, divorced), French orchestra leader Jo Bouillon (1947, separated 1957, eventually divorced), and American artist Robert Brady (1928-1986, married 1973, also not legally binding, separated 1974).
Baker wrote several autobiographies, each containing a different story about her family and career.
She became the first American woman to receive French military honors at her funeral, which was held at L'Église de la Madeleine. She was interred at the Cimetière de Monaco .
“Since I personified the savage on the stage, I tried to be as civilized as possible in daily life.” —Josephine Baker
- La Sirène des tropiques (1927) ... aka Siren of the Tropics
- Zouzou (1934)
- Princesse Tam Tam (1935)
- Moulin Rouge (1941)
- Fausse alerte (1945) ... aka The French Way
- An jedem Finger zehn (1954) ... aka Ten on Every Finger
- Carosello del varietà (1955)
- Grüsse aus Zürich (1963) (TV)
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